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Culture · Long Island

Silverstein Band Records Live Album in Roslyn

The four-piece ensemble performed a new set at My Father's Place on Oct. 15, with the audio slated for future release.

By Yuki Melnyk ·

Illustration for: Silverstein Band Records Live Album in Roslyn
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Chuck Silverstein and His Fertile Imagination recorded a live performance for a future album release on Oct. 15 at My Father's Place in Roslyn. The four-member band shared the bill with Kevin McGorry & The Achievements at the venue where Silverstein first attended concerts as a young fan. The group played a full set of original material and covers, blending narrative lyrics with rhythmic instrumentation.

Silverstein addressed the audience at the start of the show, informing them that the performance was being captured for audio. He encouraged the crowd to behave well for the recording. The set featured a style the band describes as quasi pseudo psycho ragtime Americana folk rap. This approach combines storytelling, rapid lyrical delivery, and rhythm, drawing from 1930s talking blues, Woody Guthrie, Lou Reed, and Bob Dylan.

The concert began with the track Paprika, a song with sharp lyrical humor and snappy rhythms. The audience reacted to the witty observations, creating an interactive atmosphere. The band then performed Dystopia in Real Time, a new addition to their repertoire. This song featured intricate vocal rounds. Vocalist Katherine Congdon sang one line while bassist Dave Ice layered another verse over it. Congdon joined the original trio of Silverstein, Ice, and drummer Mike Ringle, adding a new sonic dimension to the group.

The group shifted gears with Jive, a track with an old-fashioned groove. The song evoked the style of Roger Miller and classic television themes. Ice's stand-up bass provided a warm foundation, interacting with Ringle's percussion. Before playing 11th Commandment, Silverstein told the story of his late uncle Stuey. He described Stuey as a charismatic figure who lived boldly and left multiple wives behind. The uncle's advice to young relatives was that the only commandment that truly mattered was thou shalt not get caught. The song concluded with Silverstein asking St. Peter to let him in.

Congdon took the lead on Stare, a melody-driven track with accessible hooks. Ice provided backing-vocal counterpoints to balance her lead. The band followed with Capricorn, which showcased clever rhythmic phrasing and inventive drumming. The set continued with the addition of guest musicians from the audience. Mitch Levitin joined the stage to play None of the Above. The group then performed a cover of Ace in the Hole, a 1909 classic by James Dempsey and George Mitchell. Silverstein's arrangement honored the ragtime roots of the song while adding a modern theatrical feel.

Peter Berley, a Roslyn native, joined the band for Everybody's Talkin'. His guitar work added a relaxed feel to the performance. Silverstein then introduced Rules Don't Apply to Me with a story about a dream in which he auditioned to play guitar in his own band. He described a waiting room filled with his own lookalikes. The audience responded to the self-deprecating humor. Levitin and Berley returned to the stage for the final number, Bob Dylan's You Ain't Goin' Nowhere. The ensemble finale featured layered vocals and guitar interplay.

The band has performed both amplified and acoustic sets in the past. My Father's Place has hosted the group as a premier venue for their musical craftsmanship. The live album from the Oct. 15 show is expected to be released in the future. The band's next performance is scheduled for Nov. 13 at Riptides in Lindenhurst.

Source: Long Island Press

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